2016關于雙城記的英語讀后感
導語:雙城記是一本著名的課外讀物。它給我們講訴了，法國大革命廣闊的真實背景下，作者以虛構人物梅尼特醫生的經歷為主線索，把冤獄、愛情與復仇三個互相獨立而又互相關聯的故事交織在一起，情節錯綜，頭緒紛繁。作者采取倒敘、插敘、伏筆、鋪墊等手法，使小說結構完整嚴密，情節曲折緊張而富有戲劇性，表現了卓越的藝術技巧。《雙城記》風格肅穆、沉郁，充滿憂憤，但缺少早期作品的幽默。阿下面是小編為大家整理的，英語范文。希望對大家有所幫,歡迎閱讀，僅供參考，更多相關的知識，請關注CNFLA學習網!
雙城記英語讀后感
A tale of two cities is one of dickens's most important representative works. Long before writing a tale of two cities, dickens is very concern on the French revolution, reread the British historian, Carlyle's "French revolution" and other scholar's related works. His strong interest of the French revolution began in the British lurking at the time the concerns of the serious social crisis. At the end of 1854, he said: "I believe that dissatisfaction like smoke fire up worse than, this special like the public before the French revolution for the first time, it's danger, for one thousand kinds of reasons, such as poor harvest, the nobility of bossy and incompetent the already tense situation last to defeat in war, overseas and domestic events and so on -- into that have never seen a terrible fire." Visible, a tale of two cities of the historical novel creation motive sees, in the history of the French revolution experience for reference, to the bell of the ruling class; At the same time, through the extreme portrayal of the revolutionary terrorist, also to harbor resentment, attempting to violence against the tyranny of the masses, warned that fantasy for the status quo of social contradictions increasingly deepen to find a way out.
Starting from this purpose, the novel profoundly revealed before the French revolution deeply intensified the social contradictions, strongly criticized aristocracy dissolute brutal, and deep sympathy for the lower people's suffering. Work pointedly said, the people's patience is limited, under the cruel rule of the noble class, the people under the livelihood, is bound to fight. This kind of resistance is justice. Novel in people's uprising against the bastille, etc, was also depicted spectacular scenes, shows the great power of the people. However, author station on the bourgeois humanitarian grounds, namely against brutal tyranny which oppressed the people, people also objected to revolt against the tyranny of the violence. In Charles Dickens, the revolution is portrayed as a great disaster of destruction, it ruthlessly punish evil gentry class, also kill innocent people blindly.
The novel created three types of characters. Category is urban Mr Monte marquis brother as a representative of the feudal aristocracy, they only unshakable philosophy is "oppression", is the author of pain and flay object. Another kind is to cut stone couples, such as the revolutionary masses. It must be pointed out that their image is distorted. Such as cutting stone wife, Diana, she was born in peasant, insulted, persecution of the feudal nobles with great hatred, the author deeply sympathize with her misery, really appreciated her strong personality, before and after the revolution, excellent talents and extraordinary leadership ability; But when revolution is further thorough, a pen and put her as a ruthless, fierce, narrow avenger. Especially when her to the doctor house raids dasey, "and the path is characterized by more bloodthirsty men. Finally, the author let her die under his muzzle, makes it clear that the negative attitude. The third kind is ideal character, the author thinks to humanitarian resolving social contradictions, in order to love overcome hatred, including speech, father and daughter, darnay, unquestioned and Carl's, etc. Meini, the doctor is marquis brother may have caused the destruction of the marquis brother with great hatred, but for the sake of her daughter's love, can abandon the old feud hate; Darnay is marquis brother's sons and nephews, his big end, condemn the sin of his family abandoned the rank of nobility and property, are determined to "sin" with their own actions. This to reflect the character of each other, one is the victim of the aristocratic tyranny and tolerance for pregnant; One is the successor to the noble marquis, advocate benevolence. Among them, more as a daughter and wife ". Hold in the bond of love, they form a mutual understanding, emotion harmonious happy family. This is obviously the author thought a violent revolution and the opposite way out of resolving social contradictions, is unrealistic.
A tale of two cities is different from general historical novel, its character and the main plot are imaginary. During the French revolution broad real background, the author clues to give priority to with fictional characters meini, doctor's experience, the unjust charge three independent each other, love and revenge and interconnected stories interweave together, intricate plot, intricate plot. The author take the flashbacks, interleave technique such as, stage, bedding, make the novel complete structure, tense and dramatic plot twists and turns, showed excellent artistic skills. A tale of two cities style solemn, depressed, etc, but the lack of humor early works.
《雙城記》是狄更斯最重要的代表作之一。早在創作《雙城記》之前很久，狄更斯就對法國大革命極為關注，反復研讀英國歷史學家卡萊爾的《法國革命史》和其他學者的有關著作。他對法國大革命的濃厚興趣發端于對當時英國潛伏著的嚴重的社會危機的擔憂。1854年底，他說：“我相信，不滿情緒像這樣冒煙比火燒起來還要壞得多，這特別像法國在第一次革命爆發前的公眾心理，這就有危險，由于千百種原因——如收成不好、貴族階級的專橫與無能把已經緊張的局面最后一次加緊、海外戰爭的失利、國內偶發事件等等——變成那次從未見過的一場可怕的大火。”可見，《雙城記》這部歷史小說的創作動機在于借古諷今，以法國大革命的歷史經驗為借鑒，給英國統治階級敲響警鐘;同時，通過對革命恐怖的極端描寫，也對心懷憤懣、希圖以暴力對抗暴政的人民群眾提出警告，幻想為社會矛盾日益加深的.英國現狀尋找一條出路。
從這個目的出發，小說深刻地揭露了法國大革命前深深激化了的社會矛盾，強烈地抨擊貴族階級的荒淫殘暴，并深切地同情下層人民的苦難。作品尖銳地指出，人民群眾的忍耐是有限度的，在貴族階級的殘暴統治下，人民群眾迫于生計，必然奮起反抗。這種反抗是正義的。小說還描繪了起義人民攻擊巴士底獄等壯觀場景，表現了人民群眾的偉大力量。然而，作者站在資產階級人道主義的立場上，即反對殘酷壓迫人民的暴政，也反對革命人民反抗暴政的暴力。在狄更斯筆下，整個革命被描寫成一場毀滅一切的巨大災難，它無情地懲罰罪惡的貴族階級，也盲目地殺害無辜的人們。
這部小說塑造了三類人物。一類是以厄弗里蒙地侯爵兄弟為代表的封建貴族，他們“唯一不可動搖的哲學就是壓迫人”，是作者痛加鞭撻的對象。另一類是得伐石夫婦等革命群眾。必須指出的是，他們的形象是被扭曲的。例如得伐石的妻子狄安娜，她出生于被侮辱、被迫害的農家，對封建貴族懷著深仇大恨，作者深切地同情她的悲慘遭遇，革命爆發前后很贊賞她堅強的性格、卓越的才智和非凡的組織領導能力;但當革命進一步深入時，就筆鋒一轉，把她貶斥為一個冷酷、兇狠、狹隘的復仇者。尤其是當她到醫生住所搜捕路茜和小路茜時，更被表現為嗜血成性的狂人。最后，作者讓她死在自己的槍口之下，明確地表示了否定的態度。第三類是理想化人物，是作者心目中以人道主義解決社會矛盾、以博愛戰勝仇恨的榜樣，包括梅尼特父女、代爾納、勞雷和卡爾登等。梅尼特醫生被侯爵兄弟害得家破人亡，對侯爵兄弟懷有深仇大恨，但是為了女兒的愛，可以摒棄宿仇舊恨;代爾納是侯爵兄弟的子侄，他大徹大悟，譴責自己家族的罪惡，拋棄爵位和財產，決心以自己的行動來“贖罪”。這對互相輝映的人物，一個是貴族暴政的受害者，寬容為懷;一個是貴族侯爵的繼承人，主張仁愛。他們中間，更有作為女兒和妻子的路茜。在愛的紐帶的維系下，他們組成一個互相諒解、感情融洽的幸福家庭。這顯然是作者設想的一條與暴力革命截然相反的解決社會矛盾的出路，是不切實際的。
《雙城記》有其不同于一般歷史小說的地方，它的人物和主要情節都是虛構的。在法國大革命廣闊的真實背景下，作者以虛構人物梅尼特醫生的經歷為主線索，把冤獄、愛情與復仇三個互相獨立而又互相關聯的故事交織在一起，情節錯綜，頭緒紛繁。作者采取倒敘、插敘、伏筆、鋪墊等手法，使小說結構完整嚴密，情節曲折緊張而富有戲劇性，表現了卓越的藝術技巧。《雙城記》風格肅穆、沉郁，充滿憂憤，但缺少早期作品的幽默。
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